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                                        %KINDS LOVE 970307

     The  following  contrasting words are  suggestive  of
contrasting approaches to the interpretation of the nature
of love.    How love is interpreted depends upon how  true
love and true lovers are approached:

          CREATIVE versus CONFORMAL

          LIBERATION versus CONTROL

       FORGIVENESS versus CONDEMNATION

      RECONCILIATION versus ALIENATION

        HONESTY versus RESPECTABILITY

           BEING versus APPEARANCES

         TOLERANCE versus FANATICISM

       INTEGRATION versus FRAGMENTATION

      ENCOURAGEMENT versus SHAME/GUILT

              OPEN versus CLOSED

            NURTURE versus ABUSE

        REVELATION versus REPRESSION

          RESPONSE versus REACTION

         RECEPTION versus DECEPTION

        CONCEPTION versus CONFORMITY

     TRANSFORMATION versus CONFORMATION

         RENEWAL versus CONFORMATION

          GROWTH versus PERMANENCE

      GROWTH-PASSAGES versus PASSING-AS

     BEING-TRUE versus BEING-RESPECTABLE

         INCLUSIVE versus EXCLUSIVE

     HUMILITY versus SELF-RIGHTEOUSNESS

            SERVER versus SERVED

         INTEGRITY versus FLAWLESS

           GROWTH versus PERFECTION

          WITNESS versus AUTHORITY

           EXPRESSOR versus EXPERT

         PROFESSION versus RECITATION

        REVELATION versus REPRESSION

       PARADOXICAL versus DICHOTOMOUS

         INTEGRITY versus CONFORMITY

       DESCRIPTION versus PRESCRIPTIONS

       DESCRIPTION versus PROSCRIPTION

          ROLE-MODEL versus SCRIBE

           DISCIPLE versus FANATIC

         DISCIPLINED versus FANATICAL

         COMMUNITY versus COLLUSION

     Further descriptions of contrasts suggested above can
be found by using index/search tools in this ESSAYS System
with   the first few letters of (or embedded  key  letters
in) the above words.
                                                                                                                               
                         (c) 2005 by Paul A. Smith in      
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