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                     %VISIONS OF ESCAPING COLLUSION 850603

     Participants  in a collusion can not readily  imagine
what it would be like not to be imprisoned by the games of
mutual  self deception which characterize their collusion;
that  is the essences of the collusion,  not to have  such
images,    visions,    fantasies,    creative    insights,
imagination,   dreams,  etc.   Even more important to  the
survival of the collusion is the taboo against the sharing
of  such  visions  with  a friend  in  private.    Utterly
unthinkable is the image of sharing of such visions with a
friend  in private.   Utterly unthinkable is the image  of
sharing  visions within an open public group!   To  escape
from  a collusion is to have such visions,  to share  them
with intimate friends, and eventually to share them openly
in public.

     Visions  can not be evaluated unless they are shared.
Creativity  remains unknown if collusions bottle it up and
inhibit  the sharing of it with closest friends.    People
can  not  take  integrative initiatives if  their  culture
demands  that  they  do no new  thing.    Troublesome  new
problems  can not be solved if taboos and collusions block
the  sharing  of the creative insights needed to transcend
the blindness which makes solving the problem impossible.

     Through  meditation  and prayer creative  people  can
bring  to the level of consciousness their visions and  in
imagination  "try-out"  how they would work.   Would  they
promote  integration and community?   Could  they  promote
integration and community if the members of the  community
could  transcend  their taboos and collusions.    Are  the
blockages  to  the  visions natural or chosen  by  people?
Might  it  be  possible to chose not to have  the  visions
realizations blocked?  How might that question be answered
by an unbiased experiment?   How can such an experiment be
designed and conducted in a contractive way?

                                                                                                                               
                         (c) 2005 by Paul A. Smith in      
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